Portal de Caravaca de la Cruz
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you can not deny some skill and avidity to the left and their circles close to stand as the great supporters and advocates of culture.
Seems to have permeated the Spanish society in general and in the Murcian and caravaqueña in particular the idea that it is this ideology and its leaders who defend, preserve and promote this important concept and, on the other hand, as generic and ambiguous like the culture.
Without going to wonder what is culture, it is a term with such wide and varied over the centuries is debate beyond the object of these lines meanings, we can not forget that Caravaca de la Cruz has always been, in contrary to what you want to believe now, and beyond who have directed their designs from the town hall, a village with numerous literary, pictorial, theatrical or musical concerns, to give some examples.
Some of these demonstrations have been represented by names that, at different times and generations, have excelled in their academic, artistic or other qualities, being so ambiguous concerning that concept we call 'culture'.
In recent years, during the PP government, culture was not the poor sister of Caravaca, and corroborating data.
Just one glance at the newspaper archives to remember the incessant activity carried out by councilors as Pepe Ferrer, Orencio Caparros or Marí Cruz Martinez, where not only successful activities initiated by previous government teams of other political signs were continued, but were put numerous initiatives, some strictly municipal and others with the collaboration of the regional administration.
The examples are many, but a good starting point may be to remember the acquisition and rehabilitation of the old church of the Society of Jesus and its conversion into an exhibition hall and cultural events.
Its opening was timed to coincide with the exhibition 'The city high', in 2003, a milestone of such quality and quantity that is difficult to happen again in Caravaca.
Since then, the Company has hosted numerous exhibitions of all kinds, highlighting those dedicated to the sculptors José Carrilero or Jose Campillo, or one in which he was flooded with pictorial tributes to Cervantes' Don Quixote And when the 400 years of its publication in the 2005.
Reform Thuillier Teatro allowed the Coliseum Plaza Nueva was more convenient and accessible, and to return to step actors tables and established actresses such as Concha Velasco, Lola Herrera, José Sancho or Carlos Valladares, and murcianas companies, local or amateur theater.
The Thuillier has always been open to all theater, all sensitivities and currents, also big concerts of all musical styles.
And to bring the theater to the most distant neighbors cycle in children's theater districts was held for several years.
Speaking of music, and without entering into the educational work that the Conservatory is developing, we can not ignore that the activity has been relentless.
It is impossible to remember everything, but we can highlight the ECOS cycle, which developed in different historical sites of the region, being Caravaca one of his few venues.
The 'Cow Pop' festival, sponsored by a local company, the series 'A Moon Barranda' that began in the Museum of Ethnic Music with names like Jorge Drexler, or concerts that came in programming the years V jubilee or centenary of the birth of St. Teresa of Jesus, to cite some examples, show that music has never ceased in our city.
Archaeological excavations, opening museums, restoration of movable and immovable property, as altarpieces, paintings, sculptures or pictures of Easter, and a host of initiatives that would be impossible to summarize in these lines we show that culture is not heritage anyone and has Caravaca always, always backed her in its many manifestations.
Source: PP Caravaca de la Cruz
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