The regional chief executive also chairs the opening of a new hall at the Museum of Ethnic Music Barranda Yagua dedicated to originating in the Peruvian Amazon
The president of the Community, Ramón Luis Valcárcel, opened today in Caravaca de la Cruz's new Carrilero Museum as one of the celebrations of International Museum Day is celebrated every 18 May.
The new museum space dedicated to the work of Joseph Carrilero, caravaqueño internationally renowned sculptor, is located in the birthplace of the artist, the former Renaissance palace Musso family Otálora Muñoz, and later used as barracks of the Guardia Civil early twentieth century.
The building, which will house a large and representative of the artist's work caravaqueño, was ceded to the City of Caravaca by the Autonomous Community, under an agreement signed in 2006 and has been renovated with an investment of 600,000 euros by Directorate Heritage General.
The museum has an area of 871 square meters, distributed in a basement, where the remains of the old vaults, and in rooms on the upper three levels.
The collection consists of some fifty sculptures of various sizes located in the basement, with some unpublished works never exhibited before, which also add sketches and paintings.
The project, led by architects Guillermo Jiménez and Joaquín Pozo, has been developed under the premise of designing a space that does not interfere with the work to be exhibited.
Thus, it fulfills the wishes of the sculptor and the City to work, now dispersed to various cities, finally exposed in Caravaca.
Winger, National Sculpture Prize in 1960
Carrilero José Gil was born in 1928 in Caravaca.
National Sculpture Prize in 1960, his work refers to the new classicism of the twentieth century, opened in Murcia by José Planes land and continued by Juan Gonzalez Moreno, and coincides with that of other great sculptors like Paco Murcia Toledo, Antonio Campillo, José Molero, Jose Toledo and José Hernández Cano.
Among other important distinctions, José Carrilero received the Gold Medal of the Region in the past year 2009, and since 2003 Academician of the Royal Academy of Fine Arts in Santa Maria de la Arrixaca.
In 2002, the Palace of Almudí hosted its first exhibition in Murcia, two years later, the Church of the company staged its first exhibition in Caravaca de la Cruz, and in 2007 the Church of San Esteban de Murcia was the scene of a retrospective of his work entitled 'Towards a new classicism. "
Currently, her work is distributed among private collections in various countries and various museums in Spain and abroad.
New Museum room dedicated to the culture Barranda Yagua
Prior to the inauguration of the Museo José Carrilero, and also in celebration of International Museum Day, Ramón Luis Valcárcel presided over the opening of a new hall at the Museum of Ethnic Music Barranda (Caravaca), which will host an extension of the library permanent.
The Board called Yagua is dedicated to the culture of the same name, originally from the Peruvian Amazon.
From there come the objects belonging to this indigenous group, which are outlined in three display cases that house two instruments-a ruuhuitú ruuhuitú male and female, along with various artifacts from the tribe.
35 years ago Fadol ethnomusicologist Carlos Blanco, director of the Museum, collected in Peru both native instruments, which eventually became part of the collection on display at the Museum of Ethnic Music Barranda.
In 2007, White returned to the Amazon Fadol and, during a visit to the Yaguas, found that both instruments had disappeared completely falling into disuse so that only a woman of 42 years recalled the sound, having heard a child, but not the form thereof.
With the support of the Department of Fine Arts and Cultural Heritage, the investigator returned a year later to the Peruvian jungle accompanied by a film crew, to reintroduce the two instruments between Yaguas, who taught how to build and use them again .
The whole process is contained in 'Yagua', a documentary 15 minutes is projected in the room.
The exhibition also has images of the Amazon jungle accompanied by environmental sounds that are operated over the public, which also hear the two instruments alternately recovered.
The whole process of recovery is shown with large photographic panels, which affect the habitat of the Yaguas and environmental problems of the Amazon forest in the region where they live, supported by others focused on the defense of the culture of the peoples of the Amazon and environment.
The Museum of Ethnic Music is the fruit of many years of travel and research of Carlos Blanco Fadol.
Since 1970 swept forests, mountains and deserts on five continents, making contact with ethnic groups still retained their traditional instruments, more and more scarce.
The different sections of the center offer visitors a varied sample of the musical culture of 145 countries, as well as music, stories and legends dating from the third century BC to the twentieth century, compiled by White Fadol.
Source: CARM